Friday, 26 March 2010
Monday, 15 March 2010
The manner in which these elements are brought together in Ericailcane's work creates a sense of alienation and anomie in the face of an absurd and meaningless world, while at the same time gently compelling the viewer to project these creatures' nonsensical yet poignant situations onto the human condition.
I first came across Ericailcane's work in this March's issue of Juxtapoze, his drawings really stood out for their excellent draftsmanship, timelessness, intelligence and emotional range. In his drawings, Ericailcane exhibits a deft extrapolation that brings to mind Albrecht Dürer’s imaginary Rhinoceros, not to mention macabre contortions that could be likened to Hieronymous Bosch’s visions of Hell – yet his work is imbued with a satirical wit and childlike melancholy that make it quite accessible.
Ericailcane a.k.a. Erica il Cane, hails from Bologna, Italy, where he studied at the Academy of Arts. For several years, he has been working in an Italian street art collective, and has painted some incredible murals all over Europe – many in collaboration with the legendary street artist and colossal-scale stop-motion animator Blu.